VIDEP DiscoMinions, 2021
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VidEP is a combination of "Video" and "Extended Play" that is a musical recording that contains more than a single but less than an album.
VidEP is a new concept that, compared to long DJ session, make a live musical session fresh and unexpected, in relation with different image during more or less 20 minutes. Five music tracks are compiled, remixed and video edited.
Each VidEP is dedicated to different music genres like disco, progressive house, techno, deep house, easy listening, melodic house etc., combined with different moods and color schemes.
This first VidEP Session is a celebration of Disco Minions...!
Please enjoy!
"All my life I've liked the wrong music. I never liked Elvis and rock 'n' roll; I always preferred Rosemary Clooney. And since I became a socialist, I've often felt virtually terrorized by the prestige of rock and folk on the Left. How could I admit to love Petula Clark LPs in the face of miners' songs from the North East and the Rolling Stones?
Much of the hostility to disco stems from the equation of it with capitalism. Both in how it is produced and in what it expresses, disco is held to be irredeemably capitalistic.
Now it is unambiguously the case that disco is produced by capitalist industry, and since capitalism is an irrational and inhuman mode of production, the disco industry is as bad as all the rest. Of course. However, this argument has assumptions behind it that are more problematic. These are of two kinds. One assumption concerns music as a mode of production, and has to do with the belief that it is possible in a capitalist society to produce things (e.g., music, such as rock and folk) that are outside of the capitalist mode of production. Second, as a sensibility in music it seems to me to encompass more than what we would perhaps strictly call disco music, and include a lot of soul, Tamla, and even the later work of mainstream and jazz artists like Peggy Lee and Johnny Mathis."
Richard Dyer, « In defence of Disco », Gay Left magazine, Issue 8, 1979.
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