Naomi Lares, Microphysiognomy in Modern Cinema
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Film and Screen Studies Minor Naomi Lares' epigraph, which seeks to "channel, but also challenge" film theorist Béla Bálazs on the issue of the human face in close-up. As Lares attempts to demonstrate through manipulation of film speed, music and text, his emphasis on the details of the human face as purveyor of emotion may overlook the added contribution of soundtrack elements.
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